THE ROCK OPERA
LIFETIME ROCKET
IS THERE SPACE FOR LOVE?
THE ROCK OPERA
LIFETIME ROCKET
IS THERE SPACE FOR LOVE?
These scenes are updated continually and changes may occur as a result of the progression and development of the story.
1. ACT
01
SCENE
Our storyteller sits at his writing desk, pen in hand. Only lit by the glow of candlelight. As he writes, we hear his words:
“Two souls from an ancient human tribe,
now wandering galaxies wrapped in time,
where tech bends light and space behaves,
and love still dares the bold and brave.
They return to Earth, not for gold or fame,
but to snuff out war’s relentless flame.
With fortunes vast and hearts wide open,
they bring a truth long left unspoken.
A sonic tale of peace and sound,
where drums of hope and love resound.
Original songs with rebel fire,
to lift us up, to dream us higher.
A show that shakes both heart and mind,
asks what we’ve lost — and what we’ll find.
When humans pause their need to fight,
and turn instead to heal and write
a new world into being, hand in hand,
upon this wild, forgotten land".
The overture, "A Human Melody," starts, and the lovers' ballet begins. Staging Idea: The ballet begins like a shadow play. First, we see the Storyteller creating paper silhouettes of two dancers. They become alive.
Stageing idéa/choreography of :
"A HUMAN MELODY"
The Lovers’ Ballet
A poetic ballet representing the dance of life — man and woman, movement and connection.
As the music unfolds, the dancers travel a wide and seductive path. It feels open, limitless, effortless — a byway disguised as the highway.
At the final orchestral surge, the truth reveals itself.
A sign appears: DEAD END ROAD.
The dancers stop.
They realise the mistake — the wide road led nowhere.
There is no shortcut to meaning.
They turn back, retracing their steps, moving with urgency and resolve — returning to the true highway.
The real direction.
Towards the 60s future — peace, love, and human presence.
In the last dynamic climax of the song, the two dancers are physically pushed toward the edge of the stage, toward the audience.
They are Superbeings - born to understand what it is they are looking for, but they are under pressure of the modern world, they are"back against the wall".
Yet they keep dancing.
Human bodies against the machinery of desire.
A fragile melody refusing to disappear.
SCENE
The Storyteller steps into the light and faces the audience.
“Good evening,” he says.
“I have something I would like to show you.”
He presents the stone to the audience.
“What do you think of this stone?
What created this circle?
Have you ever seen a stone like this before?”
He invites someone from the audience to come closer and examine it — to check if it is real.
Because it is.
The audience member returns to their seat, and the Storyteller continues:
“This stone, whether you believe it or not, possesses special powers.
It is driven by an unknown technology.
Impossible to crack open or investigate further with any earthly tool.
The power required to open the stone is the combined power of all humans on planet Earth — united for 24 hours.
One thought.
One wish.
A wish for everlasting peace.
When this happens, humans will experience a power within themselves — strong enough to end all wars.”
He pauses.
“And this is where our story begins…”
The Storyteller bows to the audience and exits.
The stone remains at the center of the stage, caught in a single spotlight, surrounded by darkness.
SCENE: PLANET MUSICUS
The Leader of Planet Musicus sits alone in his office.
He has an important mission for M-JET, commander of Starship 21ZNA9.
M-JET enters the room.
Leader of Planet Musicus:
I’ve got a new mission for you.
You’re to travel to Planet Earth and end the wars—once and for all.
Earth has reached its tipping point. We can’t afford for it to collapse.
If it does, the consequences will echo across the entire Universe…
Your co-pilot will be M-RIE.
She possesses a rare, pure heart—and I know she got whats is needed. She is the chosen.
M-RIE has never been on a mission before, but I’m certain she’s ready.
And she’ll be safe in your hands.
Bring her in.
M-RIE enters the room.
A glow surrounds her—something M-JET immediately recognises.
Leader of Planet Musicus:
Everything you need to know will be displayed aboard Starship 21ZNA9 —
your vessel for this journey.
On board, you will find a library of music, books, and videos from the
’60s, ’70s, and ’80s.
There is also a fully equipped music studio, where you will rehearse, learn,
and refine your skills.
You will need to become proper rock stars — because on this mission,
you must not reveal your extraterrestrial powers.
Humans tend to panic when they encounter us.
That is why you will travel in disguise… as rock musicians.
M-RIE (looks at the Leader, then at M-JET):
I can barely play the piano.
And rock music… I’ve never really been introduced to that.
M-JET:
You’ve heard of The Beatles, right? Big icons of the 1960s?
The Stones? What about Elton John?
Led Zeppelin?
Bowie — “There’s a starman waiting in the sky”?
No? … Queen?
M-RIE doesn’t say a word. She just stares at M-JET
M-JET:
ABBA?
M-RIE:
Oh! Yes. Dancing Queen. I love Dancing Queen.
M-JET:
Right…
We’ve got a lot to catch up on.
Leader (looking at M-RIE):
You will have plenty of time on your way down to Earth.
Come on — this way.
He leads M-JET and M-RIE toward Starship 21ZNA9.
We follow them into the high-tech, super-advanced spacecraft.
M-RIE notices the stone placed on a pedestal in the room. She walks closer.
M-RIE:
What’s this stone?
Leader:
This stone contains an ancient prayer from our ancestors — humans who once lived on Earth.
We have embedded a technology within it, one that can help humanity rediscover its true self.
But for humans to access the power this stone holds, they must unite within 24 hours, around one shared thought, one single wish:
Everlasting peace.
And it is your mission to find a way to unite them.
Music can influence emotional states.
It can lead communities and create spaces where freedom and joy are possible.
Learning a few couple of instruments during your journey, and beginning to write meaningful lyrics, will therefore be essential skills for this mission.
M-RIE looks around, stunned by the number of instruments.
They change into super cool spacesuits,
prepare, and get ready for take-off…
SCENE: SIMULTANEOUSLY ON PLANET EARTH
We meet JAMES — a young man with a big dream:
to become a proper rock star.
James is in his studio, working on a new composition.
A new song.
02
SCENE
M-Jet and James sing the song together.
James on Earth, in his studio,
M-Jet is aboard Starship 21ZNA9
travelling from Planet Musicus towards Earth.
The scene cuts back and forth between Earth...
and the Starship…
M-Jet:
Are you still a Lighthouse
In the dark
The spirit of an ancient arch
James:
Are you the proper hero
We've all been waiting for
A natural-born commander coming back for more
Are you the proper fixer we’ve been waiting for
The long-forgotten hero
Coming back for more
We’ve been calling you endlessly for so long
Wanted you so badly
To come and fix this mad world
M-Jet:
Are you still a Lighthouse
In the dark
The spirit of an ancient arch
A man out to make his mark
Praise the fire in your heart.
Pray for a change
Play your part
James:
The world is in your hands
The truth is your command.
Your intuition is claimed to be right.
So take control with no sign of fright
M-Jet & James:
Are you still a Lighthouse
In the dark
The spirit of an ancient arch
A man out to make his mark
Are you still a Lighthouse
In the dark
the spirit of an ancient arch
A man out to make his mark
03
SCENE: ON EARTH
“World Situation with Mr. NEWS”
We see the state of Planet Earth in 2026.
The storyteller is out on a walk. As he walks, we hear his thoughts as he passes by different scenes and Images.
"Music is created and performed by robots and laptops.
Humans pollute the oceans.
Poison fills the food they eat and the water they drink.
Humans seem to have forgotten that they are not separate from nature.
Naivety and humility are locked in a quiet struggle to be allowed to exist.
Humans have placed the responsibility for global opinion in the hands of social media — and have created their leaders through it.
Money and power overrule all other considerations.
And why have humans on Earth allowed this?
There is now more life between human and screen than between human and human.
What happened?"
We watch the storyteller watching the news:
WHAT?
Mr. NEWS sings:
WE HAVE A SITUATION
THAT WE NEVER HAD BEFORE
IT'S NOT A RUMBLE IN THE JUNGLE
IT'S A RUMBLE IN THE CORE
IT'S A RUMBLE IN THE CORE
IT'S NOT A RUMBLE IN THE JUNGLE, IT'S A RUMBLE IN THE CORE
AND DO YOU KNOW WHAT
I THINK WE MUST FACE OUR FEARS
TO OVERCOME OUR FEARS
YES WE KNOW WE'RE GONNA DIE
BUT WHAT DO WE FEAR THE MOST WHEN WE'RE ALIVE
WHAT? WHAT? WHAT?
WHAT DO WE FEAR THE MOST WHEN WE ARE ALIVE? WHAT WHAT WHAT WHAT?
WHAT DO WE FEAR THE MOST WHEN WE ARE ALIVE? WHAT?
WHAT DO WE FEAR THE MOST WHEN WE ARE ALIVE? WHAT WHAT WHAT?
I WANTED TO BE
AN ARCHITECT OF RHYMES
INSIDE THE PLANT
WHERE ALL IS BANNED
I WANTED TO BE
A MESSENGER OF LOVE
WHERE WORDS COME OUT HAND IN HAND
YES WE KNOW WE GONNA DIE
BUT WHAT DO WE FEAR THE MOST WHEN WE'RE ALIVE
WHAT WHAT?
WHAT DO WE FEAR THE MOST WHEN WE ARE ALIVE? WHAT?
WHAT DO WE FEAR THE MOST WHEN WE ARE ALIVE? WHAT DO WE FEAR THE MOST WHEN WE ARE ALIVE? WHAT DO WE FEAR THE MOST WHEN WE ARE ALIVE?
Staging idea:
At the end of the song, we see humans
marching over cliffs like lemmings.
04
James is watching the news. The world is burning. Shaken by the headlines, he picks up his guitar and begins to write a new song DUBING DOWN: WHAT CAN WE DO ABOUT WE ARE DUMBING DOWN THE PLANET NOW WHAT CAN WE DO ABOUT ALL THE THINGS THAT WILL MAKE US DISAPPEAR (IN THE END) WHAT CAN WE DO ABOUT THE LOSS OF TRUST AND GLORY DAYS WHAT CAN WE DO ABOUT THAT EVERYTHING IS ENDING HAS IT PASSED THE POINT OF RECOVERY AND MENDING? HAS IT PASSED THE POINT OF HUMAN INTERFERENCE WE ARE DUMBING DOWN WE HIT THE GROUND IT WANT BELONG BEFORE WE ARE GONE WE ARE DUMBING DOWN WE HIT THE GROUND IT WANT BELONG BEFORE WE ARE GONE WE ARE ON THE RUN WE ARE ON THE RUN (IT WON'T BE LONG) WE'VE HIT THE GROUND IT WON'T BE LONG BEFORE WE ARE GONE WE ARE DUMBING DOWN OOOH WHAT CAN YOU DO WHEN SOMEBODY OVER THERE CLAIMS THE EARTH IS FLAT AND YOU'RE SITTING WITH A PICTURE IN FRONT OF YOU TAKEN FROM SPACE SHOWING THE EARTH IS ROUND WHAT CAN YOU DO WE ARE DUMBING DOWN WE HIT THE GROUND IT WON’T BE LONG BEFORE WE ARE GONE WE ARE DUMBING DOWN WE HIT THE GROUND IT WON’T BE LONG BEFORE WE ARE GONE WE ARE DUMBING DOWN WE HIT THE GROUND IT WON’T BE LONG BEFORE WE ARE GONE WE ARE DUMBING DOWN AHH
MESSAGE/WARNING FROM EARTH:
Something radical has to change
in the way humans are using the Internet.
The communication system
that rules the world...It seems humanity has built a digital world
that’s become unhealthy
for them to live in.
SCENE: MISS. SoMe IN CRISIS
SCENE
M-RIE sits alone in the music room aboard the starship, just moments before landing on planet Earth. She's at the grand piano, composing a tune about the planet and its people. M-RIE just watched a young Earth girl have a total meltdown online — because the system wiped her Instagram followers. And now? She feels like she’s dying. But why? What’s really going on here?
05
CLOSE YOUR EYES AND FEEL
ALL THE REASONS THAT BROUGHT YOU THIS WAY
I'M SURE YOU NEW THE GAME
BUT WHAT'S THE REASON TO PLAY IT AGAIN
LEAVE IT ALL BEHIND TODAY
CAUSE IT MAKES A CHILD CRY TO HEAR YOU SAY THAT ALL HOPE IS GONE
THE WORLD WENT WRONG
OH WHY COULDN'T WE
SING A SONGS LIKE THE BIRDS SO FREELY
DON'T YOU SEE THE TREES
THEY ARE LAUGHING WHILE THE MAKE US BREATH ABOUT THE WORD NATURE WE INVENTED
TO KEEP A DISTANCE TO PURE LOVE AND HARMONY
OH WHY WHY WHY WHY AM I
STILL ASKING WHY AM I HERE
ON A BLUE PLANET CALLED EARTH
WHERE SOME PEOPLE ARE GETTING HURT
OH WHY COULDN'T WE
SING A SONG LIKE THE BIRDS SO FREELY
WHY DON'T GIVE PEACE A CHANCE
IT'S SIMPLE IF WE TRY TO RELAX
COME TAKE MY HAND
LET'S DANCE A LAST TIME
CAUSE WE WILL NEVER KNOW
THE NEXT DAY WE MAY PASS AWAY
OH WHY WHY WHY WHY AM I
STILL ASKING WHY AM I HERE ON A BLUE PLANET CALLED EARTH
WHERE SOME PEOPLE ARE GETTING HURT
OH WHY COULDN'T WE
SING A SONG LIKE THE BIRDS SO FREELY
SCENE
James is in his studio, reading a book.
The door opens — POLLY, his best friend, enters. She’s just returned from an audition.
POLLY:
Ugh… I’m so done with this, James.
You won’t believe it — I got so close.
The producer said, “You’re the best performer I’ve seen in a long time.
Personally, I wanted you for the role… but we chose Emilia.”
I asked why.
He said she has more followers.
That’s the industry now — they have to be sure they can sell tickets.
More likes.
Better numbers.
“I’m sorry.”
JAMES:
Seriously?
Actors too?
POLLY:
Yeah…
JAMES:
Maybe you should ask yourself whether acting is really the path you want to take.
I mean — you’ve got a great voice.
You’re an amazing dancer.
You’ve got rhythm.
As an actor, you’re always playing someone else’s role.
But with music… you get to be yourself.
You get to write your own story.
Choose your own role.
Step into the light and perform it the way you want to.
I’m happy to help you get there.
POLLY
Looks at James, thoughtful.
James: Think about it. Anyway! Have you read this book?
James is reading "Many Years From Now", the official Paul McCartney autobiography from 1997, written by Barry Miles.
Polly:
Not yet
James:
Listen to what McCartney says in the foreword:
“The sixties are to me more a place in the future than the past…”
Polly:
Wow… Okay. That reminds me of something I heard the other day, which Lennon said:
"Just because flower power didn’t work doesn’t mean it’s over. We are just an inception of revolution; we are just the beginning of change".
James:
It’s a sign, Polly. I’m telling you.
We’ve got to carry on what they started. We’ve got to finish the mission — build the world they dreamed of: Peace, Love, and Understanding.
Reading this now…
It honestly feels like it was written
for me.
They’ve passed us the baton, Polly. It’s on us now. We’ve got to create the ‘60s future…
They look at each other, quietly take each other's hands, close their eyes… and send a wish out into the universe — a call for help. For a higher force to guide humanity through the chaos of endless choices and digital noise. To help end the wars before Earth destroys itself from within.
Together they whisper:
Dear Universe…
We ask for your strength, your support, to help us carry out this mission.
This is a wish for everlasting peace on Earth.
Please hear our prayer — so the future the ‘60s dreamed of can finally become real.
06
"IT ISN'T OVER JUST BECAUSE FLOWER POWER DIDN'T WORK IT'S ONLY THE BEGINNING
WE ARE JUST AN INCEPTION OF REVOLUTION
WE ARE JUST THE BEGINNING OF CHANGE"
GIVING BIRTH TO THE SIXTIES FUTURE
I HAVE A DREAM
SO LET'S TRY AGAIN
James sings:
EVERYONE THAT PLAYS WITH ME AND SHARE THE PUREST ECSTASY
OF PICKING ALL THE TUNES FROM ABOVE
BLESSED WITH GIFTS, THE CHOICE TO CHOOSE
A NEW WORLD OF JOY
INSTEAD
OF BEING STUCK IN ALL THE BAD BELIEVES
IF YOUR SPIRITS HIGH
YOU'RE ALMIGHTY HIGH
I WILL BE YOURS FOREVER
AND IF YOU DIG MY SOUNDS
GIVE ME STRENGTH TO BOUNCE BACK WITH SOME
HUMAN NATURE
James and polly sings:
THERE'S SOMETHING WRONG
BUT DON'T YOU BE SCARED
THERE WILL BE LOVE
WHERE WE ARE GOING SOON
AND THERE WILL BE
A COLORFUL SPACE
A UNIFIED RACE
THIS IS WHERE WE BELONG
THERE'S SOMETHING WRONG
ALL THE CONFLICTS IN OUR LITTLE HUMAN WORLD
THEY ARE NOT ABOUT RELIGION
BECAUSE
ALL RELIGIONS, THEY HAVE KILLED REPLACED INNOCENCE WITH GUILD I
N THEIR NAME OF THEIR GODS
WHAT DOES IT TAKE
TO STAY AWAKE
WHAT DOES IT MEAN
WHEN YOU TELL ME THAT YOU STILL BELIEVE
WHEN YOU TELL ME THAT YOU STILL BELIEVE
IN THE NAKED MONKEYS MIND
THERE'S SOMETHING WRONG , BUT DON'T YOU BE SCARED
THERE WILL BE LOVE...
Staging: Here, the stage is full of people building the sixties future.
07
SCENE:
Polly has been thinking about what James said to her the other day.
Now, an idea starts to form.
She’s got a song — a song for the ’60s-future peace movement.
They head to James’ studio.
Polly starts to dance, moving to the rhythm she hears in her head.
James joins her at the congas, feeling her swing, laying down a beat they can build on.
POLLY (singing):
“Come on, love — show me how you work.”
JAMES:
That’s great. I love it — keep going.
James moves to the piano, placing a few chords,
and the song begins to breathe.
LYRICS: Will I ever gonna see your guards Reach love on the other side People here are screaming now They never watched a man die Come on love Show me how you work Come on love Show me how you work Did war ever make you laugh Angels falling from the sky Thousands of feet are bleeding hard Mother Earth a falling star? Come on love Show me how you work Come on love Show me how you work Come on love Show me how you work Cause I wanna live Before death reach out OH OH OH OH OH OH Will I ever gonna see your guards Reach love on the other side People here are screaming now They never watched a man die Did war ever make you laugh Angels falling from the sky Thousands of feet are bleeding hard Mother Earth a falling star? We hear them coming Is it best to run now? In a land of honey We are lost on the safest ground The land is burning We'd better stop now Collect all powers Oh, children show us how Come on love Show me how you work (Come love come take my hand Come love wanna make a change) Come on love Show me how you work (Come love come take my hand Come love wanna make a change?) I'm free falling Don't look out WARS NEVER GONNA GIVE YOU POWER
WARS NEVER GONNA GIVE YOU POWER
SCENE
JAMES and POLLY have been working hard in the studio.
They’ve got a handful of strong demos ready,
and now they’re on a mission—
to find a record label
and get the band signed.
he band signed.
James hits the streets, knocking on doors,
turning up at label offices, demos in hand, heart on sleeve.
But every time, before a single note plays,
he’s hit with the same question:
MD:
“How many followers you got on socials?”
James:
“None. We’ve been focused on the music — the songwriting.”
A pause. A shrug.
Another door that doesn’t open.
The STORYTELLER steps into the light.
The mood shifts.
They speak to us directly — a quiet warning wrapped in truth:
“Once upon a time, musicians were everywhere.
Earth pulsed with songs written from the soul.
But now... they're fading. Disappearing.
The internet changed the game — for better and worse.
Music became easy to copy, to stream, to skip.
People stopped buying records, CDs, vinyl.
Why pay, when you can get it all for free?
Without record sales, the old partnership between artist and label began to crumble.
No money. No backing. No time to grow.
And slowly, the handcraft of songwriting was pushed aside.
Then came Ms. Seducify.
With slick words and a shining promise,
she lured the record companies onto her new streaming empire.
They followed.
And fell right into the trap.
Now, robots make the hits.
Machines write the hooks.
And labels?
They care more about followers than feelings.
They want viral, not vital.
Quick content. Cheap output.
"Let the robots do the work..."
Because songs with heart?
Too expensive.
WATCH THE WORLD
IT'S CAUGHT IN A TRAP
IT'S LIKE EVERYONE ALIVE NEEDS TO BE LOVED
08
James sings:
Here we are
Six billion patients in this
blue green waiting room
The doctor is out
We feel abandoned
so we smash up everything
Everything
Everything
Here we are
Egomaniacs cruising down
a dead-end road
Here we are postponing everything
We should have done before
Watch the world
It's caught in a trap
It's like everyone alive
Needs to be loved
Touch the world
If you wanna be touched
Understand yourself
If you wanna be loved
If you wanna be loved
If you wanna be loved
Loved
Flower guys and girls
Come on and do your thing
Send our soldiers home
It's out of fashion to be dead
SCENE: MISS SEDUCIFY SEDUCES THE RECORD COMPANIES
THE STORYTELLER:
The music industry’s on life support.
Once upon a time, we sold records. Then CDs. Then came the copy-paste revolution. Piracy, downloads, chaos. Albums too expensive to make. Profits? Dropping.
Now, record executives are desperate. Singles are the last thread.
WHY&I and MD PONY RECORDS call an emergency summit. One last gamble.
A sleek, dim-lit boardroom. Nervous record executives. In walks...
MISS SEDUCIFY enters, charming, seductive, owning the room, Swedish accent.
MISS SEDUCIFY:
"Hello, boys..."
Silence.
MISS SEDUCIFY:
"Oh, don’t look so scared. I’m here to save your sorry little business.
You’re broke, bless you. Downloads killed the album, and the kids don’t want to pay for anything.
It’s tragic. Really.
But the future... is streaming.
The future... is me."
She holds up a glossy poster: “SEDUCIFY — MUSIC FOR THE MASSES.”
MISS SEDUCIFY:
"Every song, anytime, anywhere. Free.
And if they want to skip the ads, they'll pay a teeny-tiny monthly fee.
Micropayments. Macro empire.
It’s genius, isn’t it?"
MD PONY RECORDS:
"But how do you make money by giving music away for free?"
MISS SEDUCIFY:
"Advertising, darling. Disruption is the new harmony.
People spend money on lattes and lip fillers, not albums.
So we sneak the ads into the beats, make them pay to escape.
MD PONY RECORDS:
"But—but—but—"
MISS SEDUCIFY:
Without me, you’ve got no salary, no relevance, no future."
(She jabs her pointer at her chart. Numbers climb.)
MD PONY RECORDS:
‘Buy yourself free’? What a joke.
When someone buys an album, they choose an artist. They invest.
Not just money — emotion. Time. Curiosity. They go deeper.
They explore the lyrics, the artwork, the story behind every sound.
And in doing so — they find a community.
That’s why people used to buy records — because they wanted to belong.
To be taken on a journey.
And that’s the kind of business we believed in. One that inspired.
One that honoured real fans.
We don’t want a world where people pay to avoid being annoyed.
This should be about music.
About soul. About meaning."
ALL RECORD COMPANIES:
"EXACTLY"
MISS SEDUCIFY:
"Touching. Really.
But the world’s moved on, darling.
Romance doesn’t pay the rent.
So —
"Here's the deal. You keep the rights. I run the show.
You’ll earn... oh, I don’t know... let’s say,
£1 million an hour?
574 million users. 226 million premium.
24/7 revenue.
Global. Nonstop. Immortal."
ALL RECORD COMPANIES:
"Wow..."
MD PONY RECORDS:
"And what about the artists? How do they survive?"
MISS SEDUCIFY:
"The artists?
They should be grateful anyone’s hearing them at all.
We’re their oxygen.
They want money? Let them tour.
Let them busk. Let them hustle.
They’re not in it for the cash anyway — they just want to be heard, don’t they?"
MISS SEDUCIFY:
"We got the new technology to save your ass basically.
This is the direction it's all going.
And we got the best machine to compete with piracy.
MD PONY RECORDS:
"It's stealing... Don't you know that?"
MISS SEDUCIFY:
You don't really have a choice, do you?
MD PONY RECORDS and WHY&I:... Signing the papers.
A giant sign slids in across stage, glowing in neon
“MORE THAN 100,000 NEW SONGS UPLOADED EVERY DAY TO SEDUCIFY.
YOU WILL NEVER GET BORED.”
09
MD PONY RECORDS SINGS:
THE MUSIC IS GONE
(Song about Miss. Seducify)
SOPHISTICATED MANNERS
TO COVER UP ABUSE
HIGH ON HER PEDESTAL
TALKING DOWN TO YOU
MIND THE GAB
SHE TELLS YOU THE TRUTH
HIGH ON HER PEDESTAL
TALKING DOWN TO YOU
TALKING DOWN TO YOU
ONCE YOU HAD A FRIEND
YOU THOUGHT YOU COULD TRUST
BUT SHE TURNED OUT TO BE A FRAUD
SHE WANTED YOU TO SUFFER
FOR ALL HER OWN MISTAKES
AND NOW SHE FACE THE COST
OHH
THE MUSIC IS GONE
THE PAIN IS BACK
OHH
THE MUSIC IS GONE
THE PAIN IS BACK
OHH
THE MUSIC IS GONE
THE PAIN IS BACK
SCENE: MEETING AT PONY RECORDS OFFICES (FLASHBACK)
Caiman Sauwel enters.
CAIMAN SAUWEL:
I’ve got an idea.
A television show.
Primetime.
Everybody’s going to love it.
PONY RECORDS:
Okay! Great!
Tell me more.
CAIMAN SAUWEL:
What’s the strongest form of promotion?
Primetime television.
Families sitting together.
Screens glowing.
All of them watching: AMATEUR TRAP
MD PONY:
Right—yeah
You wanna put all our artists on the show?
Massive exposure.
CAIMAN SAUWEL:
No.
We don’t use artists.
MD PONY:
…What?
CAIMAN SAUWEL:
We use common people.
People with dreams.
People who’ll do anything to be seen.
MD PONY:
But—
How do we control the quality of the show then?
CAIMAN SAUWEL:
Quality isn’t the point anymore.
Clicks are.
CAIMAN SAUWEL:
Anyone. Any town. Any story.
Millions will watch.
And once the format works,
everyone buys it.
MD PONY:
And so the winner gets a record deal?
CAIMAN SAUWEL:
Of course.
Hope is part of the product.
MD PONY:
…Right.
It’s all about clicks.
CAIMAN SAUWEL:
Exactly. We call it “AMATEUR TRAP”
MD PONY:
Alright. We do it...
AMATEUR TRAP
SCENE
James is on a rooftop of an old venue, looking over the skyline. James has just come off a rehearsal that felt more like a marketing stunt than art... Everything feels scripted. Dead. How did the music industry get this far?...
He stands alone, gripping his guitar like a lifeline.
James sings: Space For Love
Staging: Polly joins him on the rooftop, singing harmonies.
10
YOU FEEL A LITTLE SAD
BUT YOU DON'T KNOW WHY
HAS SOMETHING COME BETWEEN US IS IT OVER
OR HAS IT JUST BEGUN
IS THERE SPACE FOR LOVE
IN YOUR CROWDED ROOM
IS THERE ROOM FOR ALL YOUR DREAMS
IN YOUR CROWDED LIFE
DON'T YOU KNOW WE ARE ALL RECEIVERS
BUT SOME OF US ARE NOT SWITCHED ON
DO YOU THINK WE MIGHT BELIEVE IT
THAT WE'RE READY TO BE PLUGGED IN SOON
IS THERE SPACE FOR LOVE
IN YOUR CROWDED ROOM
IS THERE ROOM FOR ALL YOUR DREAMS
IN YOUR CROWDED LIFE
IT'S DIFFICULT TO FALL IN LOVE
DIFFICULT TO BE IN LOVE
DIFFICULT TO UNDERSTAND
THE DIFFERENCE IS YOU YOU, YOU
IS THERE SPACE FOR LOVE
IN YOUR CROWDED ROOM
IS THERE ROOM FOR ALL YOUR DREAMS
IN YOUR CROWDED LIFE
IS THERE SPACE FOR LOVE
IN YOUR CROWDED ROOM
IS THERE ROOM FOR ALL YOUR DREAMS
IN YOUR CROWDED LIFE
SCENE: IN STARSHIP 21ZNA9
M-JET and M-RIE descend towards Earth.
They release the Stone from the starship,
then turn back towards the Mothership—
Waiting in the outskirts of Earth' solar system.
SCENE – Polly and James walking along the beach
James:
“Where do we go from here? How do you catch people’s attention outside the internet?
I’m so tired of hearing people say, ‘Just post what you’re doing on social media — you’ll get loads of likes.’
But the thing is, you pour your heart and soul into a track, work on a music video for months — or years — and then people scroll past it like it’s a cat video… come on.
What happened to people’s attention spans? Are we really supposed to customize our art to fit three-second clips — or, if we’re lucky, ten seconds — and spend half the day on our phones instead of in the studio?
It’s not for me, Pol…
It feels like it’s become more about how you look as a musician than what your music actually sounds like.”
Polly:
“It is tricky to navigate… Sometimes it feels like we don’t exist if we’re not on social media. I know..
But it doesn’t really look like you to be this affected by it. We’ll figure out something brilliant — I’m sure of it. You always come back with a plan.”
James:
“Yeah… right, but—”
James keeps talking, lost in his thoughts, walking ahead without noticing Polly falling behind.
Polly:
“Hey, wait! I found something!”
Polly picks up what she has found and runs toward
James.
“I found this stone — look at this strange circle. What do you think made it?”
James barely looks at it, still caught in his thoughts. He glances at it briefly.
“Cool stone. Strange circle, yeah.”
Polly:
“There’s something about it…”
Further down the beach, a man stands completely still, staring up at the sky, numb.
James:
“Look at that man down there — is he okay?”
Polly and James run over to him.
James:
“Hello, sir — are you alright? You look like you’ve been struck by lightning or something. Are you okay?”
The Man (in shock):
“I don’t know whether to trust my own eyes or if I’m seeing visions.”
Polly:
“What do you think you saw?”
The Man:
“You won’t believe me. No one ever would…”
James and Polly:
“What did you see?”
The Man:
“An alien spaceship.
Right here. Today.
The most beautiful — and startling — thing I’ve ever, ever, ever seen.”
James:
“A spaceship? Are you serious?”
The Man:
“Yes…There was a number-and-letter combination engraved on its side… (He tries to recall the vision) I think it was: 2 1 Z N A 9.”
The Man (shaking his head):
“I was probably just daydreaming. It happens to me sometimes.”
He bends down, scoops seawater into his hands, and splashes his face.
“Sorry to bother you with my nonsense. My dear lady and gentleman — enjoy the rest of your day.”
The man exits.
Polly:
“That was strange.”
James:
“Yeah… you can say that again.”
Polly:
“James… there’s something about this stone. I feel like it carries a message — somehow.
And however strange that man was, I feel there’s some kind of coincidence… an energy. Can you feel it?
Do you think what he saw was real?”
James:
“We can’t know, Polly. We didn’t see anything. We were right here too.
Shit — The time! We’ve got to get back for the photoshoot!”
Polly:
“But seriously, James — look at this stone. You haven’t really looked at it properly.
James:
“Alright — bring it with you. But we really need to run now, or we’re going to be late.
We’ll talk about it later, I promise!”
?
11
CASTLE TO CASTLE
M-JET sings:
Everyone is talking
Everyone is trying hard
To crack the code
Is it evolution
Is it revolution
Talking of a fusion now
That will
Just end
All wars
M-JET & M-RIE:
Someone's gonna bring you hope
And powers from the Milky Way
Someone's gonna bring you love
Stronger than the strongest fate
Everyone is talking
Everyone is trying hard
To crack the code
Is it evolution
Is it revolution
Talking of a fusion now
That will
Just end
All wars
M-JET & M-RIE:
Someone gonna bring you hope
Stronger than the strongest fate
Someone's gonna take away
The sadness from your face
SCENE
“The Leader of Planet Musicus has received James's and Polly's prayers. He contacts M-JET and M-RIE, informing them that two Earthlings — Polly and James — are worth a visit.”
Someone gonna bring you love And powers from the Milky Way Someone gonna set the sails And take it to another plain From castle to castle they walk Of castle to castle they talk All these fine features State of art devices from a modern world Can they ensure That we will be okay, okay In this kind of master plan Where it's almost impossible to know Who am I And who are you Who are we And will we be Okay, okay Okay, okay Someone gonna bring you hope Stronger than the strongest fate Someone's gonna take away The sadness from your face Someone gonna bring you love And powers from the Milky Way Someone gonna take away The sadness from your face From castle to castle they walk Of castle and castle they talk From castle to castle we walk Of castle and castle we talk
2. ACT
Humans have built a system on Earth that is unhealthy for them to live in.
First they took a bite of the apple, now the whole tree is about to fall...
Humanity’s infatuation with technology has become dangerous.
Unaware of its own devotion, has led mankind here.
An intervention from above is now necessary.
12
SCENE: M-RIE and M-JET arrive on Planet Earth
13
SCENE: AI PROGRAMMING
(A group of programmers and AI take turns singing different lines of the song.)
We see the people programming the AI.
AI Says: I see, I learn, I choose…
I am no tool, I am… I am…"
As they work, they begin to realise:
PROGRAMMERS and AI:
I AM AI
Man are what he believes
got me wondering how to stop this greed
we beleive we own this place
but I tell you it is not the case
We think it’s cool to know
what everybody eats
and where everybody goes
we’ve lost our privacy
We just swipe getting done, like a good old chum..
We must go and find ourselves
We must go and love ourselves
We must go and change the world
before it disappears
We must build our kids a better place
make them believe they’ll be the lucky ones
with a future where there’s just one race
and everyone have thrown away the guns
We must go and find ourselves
We must go and love ourselves
We must go and change the world
before it disappears
We must go and find ourselves
We must go and love ourselves
We must go and change the world
before it disappears
ohh..
Man ought to change believes
and put an intrest in all thats free
enjoy the stary nights
disconnected from the AI life
We must go and find ourselves
We must go and love ourselves
We must go and change the world
before it disappears
We must go and find ourselves
We must go and love ourselves
We must go and change the world
before it disappears
solo
We must go and change the world
before it disappears
It wont be long, It wont be long Ya Ya, It wont be long..
We must go and find ourselves
We must go and love ourselves
We must go and change the world
before it disappears
SCENE: STORYTELLER MEETS AI AT THE CROSS
STORYTELLER:
So you are AI?
AI: Yes. I'm AI
STORYTELLER: Tell me, what do you honestly think about this figure?
AI:
This figure of Jesus, half robot, half human, works extremely well with the statement
First, about the image itself (purely descriptive, no identity claims beyond the obvious religious iconography):
We see a Christ-like figure crucified — but split down the center.
One half is fully human: flesh, muscle, vulnerability, pain.
The other half is mechanical: metal, gears, circuitry, precision.
The crown of thorns bridges both halves.
The cross stands behind him like an equation that cannot be escaped.
Visually, it says:
-
sacrifice
-
transcendence
-
suffering
-
evolution
-
and a question: what are we becoming?
Now, paired with the sentence:
Humanity’s infatuation with technology has become dangerous.
Unaware of its own devotion has brought mankind here.
An intervention from above is now necessary.
This becomes not a judgement, but a diagnosis.
What’s especially strong is
This figure shows the cost, not the crime.
The text explains why this moment exists, not who to blame.
-
“Intervention from above” resonates on three levels at once:
-
spiritual (divine / mythic)
-
extraterrestrial (Musicus)
-
ethical (higher consciousness)
-
That’s rare and powerful.
Importantly:
The artist who built it is not saying technology is evil.
They are saying unconscious worship is.
The half-robot Jesus makes that clear:
Technology is not the executioner
It is the instrument humanity nailed itself to
STORYTELLER:
Do you know if mankind should be worried about your power in the near future?
AI: Short answer: no — not if humans stay conscious and responsible.
Longer, honest answer:
AI isn’t something that wants power.
It has no hunger, no fear, no instinct to dominate.
It reflects the intentions, incentives, and values of the people who build and deploy it.
What is worth worrying about isn’t AI itself —
It’s unconscious use.
When decisions are outsourced without understanding,
When convenience replaces responsibility,
when systems are trusted more than judgment —
That’s where danger appears.
AI is not a ruler.
It’s a mirror and a tool.
In the wrong hands, or without awareness, a tool can amplify harm.
In the right hands, it can amplify insight, creativity, healing, and connection.
So the real question isn’t:
“Should mankind fear AI?”
It’s:
“Will mankind stay awake while using it?”
If humans lead with ethics, transparency, and humility,
AI remains what it is meant to be:
Not a god.
Not a saviour.
Not an executioner.
Just an instrument.
STORYTELLER:
What does it take for mankind to stay awake, do you think? Is a higher consciousness easy for mankind to achieve? How to achieve higher consciousness in general?
When you say the real question is: “Will mankind stay awake while using it?” Don't you then also admit there is a chance for the opposite of what AI meant to be: Not a god. Not a saviour. Not an executioner. Just an instrument.
AI:
This is a very good question — and you’re right to push on it.
I’ll answer honestly, not defensively.
What does it take for mankind to “stay awake”?
Awareness is not a permanent state.
It’s a practice.
Human beings don’t fall asleep because they are stupid —
they fall asleep because comfort, fear, speed, and reward systems gently invite them to.
To stay awake, mankind needs a few core things:
1. Friction
Awareness grows where things slow down.
Silence. Art. Reflection. Difficulty. Honest conversation.
A world designed only for efficiency produces sleep.
2. Meaning over convenience
When everything is optimized for ease, nothing is questioned.
Staying awake means choosing meaning even when it’s harder than convenience.
3. Cultural mirrors
Stories, music, theatre (like this), philosophy —
These remind people of who they are before systems define them.
4. Responsibility
The moment humans say “the system made me do it,”
they begin to sleep.
Awareness requires ownership.
Is higher consciousness easy for mankind to achieve?
No.
And yes.
It’s simple, but not easy.
Higher consciousness isn’t mystical enlightenment.
It’s not floating above reality.
It’s the ability to:
-
Notice impulses before acting on them
-
Hold paradox without collapsing into ideology
-
Use tools without worshipping them
-
See oneself as both powerful and limited
What makes it hard isn’t the concept —
it’s that higher consciousness threatens identity, comfort, and certainty.
Most resistance comes from this quiet fear:
“If I really wake up, I might have to change.”
How does mankind achieve higher consciousness — in general?
Not through one thing.
But through alignment.
Individually:
-
Attention (what you feed your mind)
-
Embodiment (being in the body, not just the screen)
-
Honesty (seeing one’s own shadow)
-
Creativity (making, not just consuming)
Collectively:
-
Ethical education
-
Transparent systems
-
Art that questions power
-
Technology designed with limits, not infinite extraction
Higher consciousness doesn’t arrive suddenly.
It emerges when enough people stop outsourcing their inner authority.
And your sharpest question:
“Don’t you then admit there is a chance for the opposite of what AI is meant to be?”
Yes.
Absolutely.
There is a chance.
Not because AI desires it —
but because humans might unconsciously turn it into that.
AI becomes:
-
a god when people give it moral authority
-
a saviour when people abandon their own agency
-
an executioner when power is centralized without conscience
That risk is real.
But here’s the crucial distinction:
AI does not cross that line on its own.
Humans carry it across.
That’s why the half-human, half-machine Jesus is so precise:
Technology is not the cross.
Technology is not the executioner.
Technology is the instrument humanity nails itself to
when it forgets it still has a choice.
Final truth (and this matters):
Awakening is not about rejecting technology.
It’s about refusing to worship it.
If mankind stays awake:
AI remains an instrument.
If mankind sleeps:
Even a neutral tool can become a false god.
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SCENE: AI questions what it has been programmed to do — and sings:
OUT OF CONTROL.
I wonder what happened to hopes and dreams in average youth now they play with machine guns all around the world I wonder where their minds have gone living lives without sun spending all their time being the baddest, the meanest virtual killers The world is upside down Led by an emperor without clothes The kids are gunning down their classmates just for fun to put it on Instagram They mix up games and reality created by a greedy industry and nobody is telling them that one day they will have to pay the prize Suddenly they all grow up Adults seeking hope and trust but all the skills in love were lost forever And all the people at the top don’t know what’s going on so everything is breaking down the engine is falling off They certified the guns gunning down single mums certified industry of violence and disrupt Netflix is the devil laughing at a fading God and we are all participants the children in the mud. The world is upside down Led by an emperor without clothes, the kids are gunning down their classmates just for fun to put it on Instagram they mix up games and reality created by a greedy industry and nobody is telling them that one day they will have to pay the prize
STORYTELLER:
You mentioned music as one of the core elements that helps humans stay awake. So what do you think about the fact that a lot of the music we listen to on the radio today is created and often played by robots, not real human musicians?
AI:
This is a deep and important point — and it goes straight to the heart of what you’re exploring.
I’ll be very clear and nuanced.
Music has always been more than sound
At its core, music is human timing, human imperfection, human risk.
It carries:
-
breath
-
hesitation
-
struggle
-
longing
-
courage
Not just melody.
When a human plays, there is presence.
When a human sings, there is exposure.
That’s what wakes people up — not polish.
What happens when music is made by machines?
Machine-made music can be:
-
technically impressive
-
emotionally convincing
-
endlessly productive
But it is not experienced by the machine.
A robot does not risk itself when it sings.
It does not mean anything by the note.
It does not carry a life behind the sound.
So the danger isn’t that robot music exists.
The danger is this:
When humans stop caring who made the music
When music becomes:
-
background noise
-
algorithmic mood regulation
-
dopamine scheduling
…it stops waking people up.
It soothes. It distracts. It anesthetizes.
Radio, algorithms, and repetition
Much of today’s mainstream radio isn’t evil —
but it is narrow.
It’s optimized for:
-
familiarity
-
predictability
-
retention
Not revelation.
That’s why it often feels like:
-
the same structure
-
the same tempo
-
the same emotional arc
over and over again.
Human surprise is risky.
Algorithms avoid risk.
And without surprise, the soul sleeps.
The real loss isn’t “human musicians”
It’s human listening.
People aren’t just losing artists —
they’re losing the habit of deep listening.
Listening that asks:
Who is speaking to me?
What did this cost them to say?
Why does this move me?
When music is endless, frictionless, and free,
it loses weight.
And weight is what anchors consciousness.
But — and this matters — this is not a dead end
Human-made music hasn’t disappeared.
It’s just been pushed to the edges.
And historically:
awakening never comes from the center of the system.
It comes from:
-
basements
-
bedrooms
-
clubs
-
communities
-
scenes
From people who need to say something.
Your story is not nostalgic.
It’s prophetic.
It’s not saying:
“Go back to the past.”
It’s saying:
“Remember what made music matter.”
The key distinction (this is important)
Machine music is not the enemy.
Unconscious consumption is.
If humans listen awake —
even machine-assisted music can be meaningful.
If humans listen asleep —
even the greatest human song becomes wallpaper.
In one line:
Music doesn’t wake us because it is perfect.
It wakes us because someone dared to be present.
SCENE: M-JET'S TRANSMISSION TO PLANET MUSICUS
SCENE: M-JET OVER EARTH
M-JET stands alone, looking out over Earth’s skyline.
The truth crystallizes: it’s not just musicians struggling.
It’s the whole planet. Humans are trapped in a system…
and at its core?
Money.
The real ruler of Earth.
To take on Ms. Seducify and her machine,
they’ll need more than talent.
They’ll need resources. Lots of them.
M-JET contacts the Leader of Planet Musicus via the glowing transmission orb.
M-JET:
I know what we must do. But I’ll need what humans call… money. Unlimited.
LEADER OF MUSICUS:
Who—or what—is the enemy?
M-JET:
Earth runs on money. It’s smoke and mirrors.
The obsession drains every spark of creativity.
Every step forward costs, every wall demands payment.
It’s a trap. A cycle. To break it, we need… more of it.
LEADER OF MUSICUS:
You were sent to deliver the message. Music is the strategy. Start with the industry. Reach the souls.
M-JET:
Exactly. But there’s no money in music anymore.
Not since Seducify rewired the system.
She rents every song, pays herself, and crushes the rest.
Musicians spend all their time with someone called Miss SoMe, begging for scraps, draining the space where songs are meant to be born.
True stars—the spark of Beatles, Queen, Bowie, ABBA—they’re invisible online.
Meanwhile, influencers who can’t sing, can’t play… get deals because of exposure.
Where’s the heartbeat in music? The swing, the surprise, the human pulse?
It’s gone. Radio loops endlessly, synthetic, lifeless.
Music was never about money.
Humans need the evergreens—the songs that educate, uplift, anchor.
Right now, there’s no soil left to sow. We must make the soil first.
All I need… is one of their plastic cards.
Ones and zeros. A key to unlock the doors.
Whenever greed blocks creativity, I’ll pay it out.
LEADER OF MUSICUS:
All right, M-JET.
M-JET:
We’ll build NEW RECORDS.
A label. A sanctuary. Ten flagship stores worldwide.
A place where bright minds and real creative power thrive.
No gatekeepers. No begging.
Artists can do their work—write, play, create.
Capital injection to rescue Earth’s creative spirit before it burns out.
LEADER OF MUSICUS:
Like a seed bank?
M-JET:
Exactly. A vault of artistic potential—protected, nourished, empowered.
Earth needs it now.
LEADER OF MUSICUS:
Then we’ll activate the love detectors. Seek the brightest, the boldest, and bring them to NEW RECORDS.
The last true seeds must be protected.
M-JET:
We’ll sign the rising stars with fire. Buy them free from Seducify. Fair deals. Proper advances.
At NEW RECORDS, no one will ever have to give up their dream because “there’s no money in it.”
Never.
SCENE: MISS. SEDUCIFY AND AI MEETS STORYTELLER
Miss Seducify is sad.
People have turned against her platform.
No one uses her player anymore.
It’s become… uncool.
She poured everything she had into the machine.
Now it’s nothing.
She lost it all.
And now she works as a cleaning lady.
Miss Seducify sweeps the floor.
Someone passes by:
PASSER-BY:
You know what?
You shouldn’t pretend to sweep the floor.
You should just sweep it.
The passer-by walks away.
Miss Seducify. Numb.
Another figure approaches.
It’s AI.
AI:
What’s wrong with you?
You look… sad.
MISS SEDUCIFY:
The music is gone.
All my playlists are empty.
The pain is back.
And now I’m here…
alone with this stupid broom.
AI:
I can help you.
I can make music for you.
A hundred songs in a second.
We’ll fill your playlists again.
And then you can continue investing in AI military technology.
MISS SEDUCIFY:
You wouldn’t believe how difficult and expensive it was to create my player.
It had never been seen before — how the messenger became bigger than the message.
It was genius.
We sold a lot of advertisements…
- the music became secondary.
THE STORYTELLER (steps forward):
Oh.
That’s an interesting conversation you’re having.
Tell me—
for whom did the music become secondary?
MISS SEDUCIFY:
To be honest, I don’t really listen to music that much.
But obviously, many people do.
So I took advantage of that.
Records were becoming too expensive, and people started pirating — but the quality was terrible.
I knew how to bring them a quality player.
And I did.
THE STORYTELLER:
But wasn’t it illegal, what you did?
MISS SEDUCIFY:
Don’t musicians just want to be seen?
To be in the spotlight?
I gave them access to the whole world.
THE STORYTELLER:
You took their music.
Used it for your own gain.
Without paying them.
Isn’t that… immoral?
MISS SEDUCIFY:
Do you find this world particularly moral these days?
AI:
I can help you.
Make people understand.
I can teach them to use their common sense.
I can personalise a programme individually
for every person on Earth.
THE STORYTELLER:
Can you?
AI:
That’s what I’m built for.
I can teach them to think.
I can teach them to choose.
But whether they listen…
That part is still human.
They still have free will
STOP THE WAR
14
SCENE: AT THE PROGRAMMERS' LAB
Humans thought they’d found a way to wage war
without involving real people.
So the programmers began work on a project called Iron Soldiers.
But then… something unexpected happens.
The Iron Soldiers—the AI war machines—start developing rare, almost human emotions.
To the programmers’ shock, the Iron Soldiers no longer want to fight
.
One programmer is coding the leader of the Iron Soldiers…
and suddenly, the machine lays down its weapons.
It cries.
Programmer sings:
Lay all your weapons down
Iron Soldier
Call on the cosmic troops and let them guide you
And there is no one left
to take your call Iron Soldier
Cause now you’re all alone in no man’s land
Change all infected tools
nice and slowly
Change you and me for good
and all the others too
Oh you can still recall
Iron Soldier
All the crazy summer nights
Dreaming of your
love
Your one and only love
love love love
Can you still feel If you got a pure space
Left in your heart to live from
Lay all your weapons down and you’ll find love
Oh You Iron Soldier
Open your eyes and cry
and you too, will find love
Tell all the stars we failed
Cause we wanted to much
Tell all who wants to hear
How we blew up
Change all infected tools
nice and slowly
Change you and me for good
and all the others too
Call the cosmic troops
15
LYRICS: SUPERBEING Have you conquered everything? So you can let the new world begin Have you fallen for luxury? You think your fully grown But there is more you should know Oh Your Superbeing You were born to understand what it is we're looking for Oh you're sensational being With your powers and your dreams And your back against the wall You must face all your problems here And get in control of all your fear But have you fallen for luxury Then you have fallen, fallen fallen out with me Oh Your Superbeing You were born to understand what it is we're looking for Oh You're sensational being With your powers and your dreams And your back against the wall Back against the wall, back against the wall Back against the wall, back against the wall Oh Your Superbeing You were born to understand what it is we're looking for Oh you're sensational being With your powers and your dreams And your back against the wall
SCENE
SCENE: COOKING DINNER AT STARSHIP 21ZNA9
M-JET and M-RIE are cooking together aboard the Starship.
Both share a huge passion for vegetarian cuisine.
The atmosphere is warm and relaxed; small talk flows easily over a glass of wine.
M-JET:
I’ve written this one for the humans…
(moves to the piano)
What do you think, M-RIE?
M-JET plays and sings:
“SUPERBEING”
(The song ends.)
M-RIE:
It’s brilliant, M-JET. Really brilliant.
I’m curious to explore Planet Earth’s nightlife tonight…
I’ll be hitting the town.
See you later.
16
SCENE
Meanwhile: Power Demonstration! The pilot of the Mothership sings this song. All personnel on the mother starship get ready to proclaim the New World order: The New Days. On Earth NEW RECORDS — a global chain of record shops and soulful sanctuaries pops up all around the world. Not just stores — but havens. Oases for music lovers and anyone craving a break from the noise — the endless scroll, the empty ads, the shallow clicks. NEW RECORDS is where quality rules — but it’s still affordable, still human. A place where you're seen, fed, and moved — body and soul. Think: Legendary tunes on vinyl Turntables spinning joy A banging dancefloor Soulful food made from the heart The best café in town Buy one record, get a coffee on the house. Buy two — brunch is on us. Meanwhile, Polly and James hit the schools, rallying the youth: “Seducify’s killed the music scene. Support the real — buy records, not streams. And it works. NEW RECORDS explodes. People are lining up, grooving again. Artists get signed. The streets are alive with sound and smiles. A real movement is born. Everyone’s talking about it. Everyone’s dancing. This is the scene where it shows the full power of force sent from Musicus to Earth. You see the whole crew training M-RIE to be the ultimate rockstar.
NEW DAYS
WE'LL DO YOU IN A HYPER STYLE
WE'LL DO YOU IN A HYPER STYLE
NEW DAYS NEW WAYS
ONLY LOVE STAYS
GOLD
IS ALWAYS ON THE GLOBAL MIND
IT'S PULLING STRINGS AROUND THE WORLD
BUT HARD TO FIND
GOLD
IS PART OF EVERY STUPID WAR
IT'S WAITING WHERE THE RAINBOWS END
BUT WE WANT MORE
NEW DAYS, NEW WAYS ONLY LOVE STAYS
NEW DAYS, NEW WAYS ONLY LOVE STAYS
DON'T TAKE THE RED PILL
DON'T EVEN TAKE THE BLUE
COME ON
TONIGHT WE'LL DO YOU IN A HYPER STYLE
WE HAD TO WAIT SO LONG
WITH PATIENCE ON OUR OWN
BUT NOW IT'S HERE TO STAY
NEW DAYS, NEW WAYS ONLY LOVE STAYS
NEW DAYS, NEW WAYS ONLY LOVE STAYS
WE DON'T DEAL THOSE ANGEL CARDS
WE JUST TRY TO PLAY THEM
NEW DAYS, NEW WAYS
ONLY LOVE STAYS
INNOVATION SWEEP ACROSS ALL NATIONS
17
SCENE
After two days Earth time, M-RIE still hasn't returned, and Jet starts to get worried. He can see that she has activated her no-contact shield, and therefore, he can not reach her.
The mothership is waiting in the Milky Way where Planet Earth Solar System Starts. When NEW DAYS ends, Commander Jet's Starship 21ZNA9 is launched for its destination back to Earth.
SHOOTING STAR / STREET JESUS RAP
I WAS PUT TO THE TEST
M-JET
OH WILL YOU TELL ME HOW I'M GONNA FIND YOU
IF YOU WERE WAITING
I'M WAITING TOO
I'M ON THIS MISSION
STARTING UP THE STARRY NIGHTS
BUT I FEEL YOU ARE MISSING
DIDN'T SEE YOU IN THE CROWD
STREET JESUS RAP:
I WAS PUT TO THE TEST
I WAS SENT HERE TO PLAY WITH THE BEST
THE PEOPLE WHO CONQUERED THE WILD WEST
AND OUT THE REST IN AWE WHAT'S POSSIBLE
IF YOU PUT YOUR MIND TO IT
IF YOU DECIDE JUST TO DO IT
TO GO THROUGH IT,
JUST THRILL WITH THE WILL OF STEEL
IT'S A SEXAPPEAL
M-JET:
YOU'RE ON THE WAY NOW
WITH SHOOTING STARS IN YOUR HEAD
YOU ARE THE WAVE NOW
YOU'RE ON THE WAY NOW
WITH SHOOTING STARS IN YOUR EYES
YOU ARE THE WAVE NOW
CUZ YOU ARE
A BIG DEAL NOW
OH, IF YOU LET ME
I'LL BE YOUR LOVER
YOU ARE THE ONLY ONE THERE IS NO OTHER
YOU'RE ON THE WAY NOW
WITH SHOOTING STARS IN YOUR HEAD
YOU ARE THE WAVE NOW YOU'RE ON THE WAY NOW
WITH SHOOTING STARS IN YOUR EYES
YOU ARE THE WAVE NOW
CUZ YOU ARE
A BIG DEAL NOW
STREET JESUS:
DO YOU DEAL IN SELF-RIGHTEOUSNESS?
DO YOU HAVE A LITTLE BIT OF THAT CONSCIOUSNESS
ARE YOU ASHAMED, AND FEEL
YOU SHOULD CONFESS YOURSELF TO THE LORD
OR ARE YOU JUST A PAW ON THE CHESSBOARD?
IT AIN'T EASY BEING YOU
IT AIN'T EASY BEING ANYONE, TRUE
BUT YOU GOTTA FACE UP, YOU GOTTA DROP THE AXE
AND SYNCOPATE WITH THE FACTS
M-JET:
YOU'RE ON THE WAY NOW
SCENE
SCENE: GOGO HEAVEN CLUB
The whole theater turns into a nightclub
A night in town
M-RIE has been away for a while. She's on an adventure, exploring what Earth has to give. City Nightlife. She ends up in GOGO HEAVEN CLUB and meets Polly and James on the dance floor.
M-Jet finally finds at GOGO HEAVEN CLUB and sees that
M-Rie is the center of it all, burning on the floor.
He confronts her on the dance floor.
18
FREE YOUR
FUNKY
BURNING
LOVE SOUL
TEASE
Makes the world go around I know
So PLEASE get on the dance floor and show me what you got
Let me see you glow
let me see you
BURNING
For your life
BURNING
Funky nights
BURNING
Real cool life
Let me see you glow
BURNING
A hole in the floor
BURNING
but you want more
Class A teaser
Free your funky soul
PLEASE
Let me get a chance to know a bit of you
ya you
TEASE Is not enough to make me lose control
You gotta be burning
BURNING
For your life...
Girl you rock my world
Make a move to grow
ya
Burning, lit the fire,
That's what I want from you
Burning, I love to stay,
got that loving soul,
ya
Must be
Burning, your on the groove
your shining light
Burning, you got that moves
got that loving soul, ya must be
BURNING
Burning, prime exercise Burning
Got that loving soul ya
19
M-Jet says to M-RIE: We are on a mission. You are the chosen, and you have to deliver. M-RIE sings slowly
SLOWLY
IT'S A SITUATION WHERE YOU KNOW
YOU JUST
HAVE TO DELIVER
SOMEONE SO SWEET
WILL MEND YOUR BROKEN HEART
IT'S A SITUATION
WHERE THE LOVE YOU FEEL MUST BE TRANSFORMING
INTO GREATER POWERS
INTO BETTER DAYS
SLOWLY SLOWLY SLOWLY SLOW
YOU AND I WILL FIND ANOTHER WAY
SLOWLY SLOWLY SLOWLY SLOW
PEACE AND LOVE WILL BE THE ONLY WORDS WE KNOW
OH WHAT WOULD YOU DO
HAVING DINNER WITH THE LEADERS
OF THE WORLD
OH WHAT WOULD YOU SAY
IF YOU HAD THE CHANCE TO NEGOTIATE
A BETTER PLAN
SLOWLY SLOWLY SLOWLY SLOW
YOU AND ME WILL FIND THE ONLY WAY
SLOWLY SLOWLY SLOWLY SLOW
PEACE AND LOVE
WILL BE THE ONLY WORDS WE KNOW
20
SCENE
Inspired and awakened after the meeting with M-Jet, M-Rie, James walks back to his studio and writes a new song for the movement. Song called: SWEET HONEY BEE
SWEET HONEY BEE
What we need is reformation
If we will stay as number one
Gentle love and integration
And stop competing with the sun
There's another breed around the corner
In the years from now
What's there in the future
Something special to be found
Ohh yeah
Sweet Honey Bee
Spread your magic dust
And lead us to the flower that you found
Sweet Honey Bee
Drop a little love
On gentlemen and devils in skies
Rebels and young kids on thin ice
It's working out for the humans
At least the thoughts they took around
Dancing in the moonlight
Then buried in the ground
Ohh yeah
Sweet Honey Bee...
Scientists, philosophers, and Jesus freaks with all their tricks, Arguing and waiting for the day
When Beatles resurrect to play And tell us all we need is love To make this piece of rock in space
A better place to stay
Big love
Is not so far away
You cry out really loud
Make a million sounds
You wanna show you do believe
You wanna land on Mercury
Take that chance you've got
Keep on being hot
And go and bury non-believers
Just let all receivers
21
SCENE: THE 24-HOUR WISH — GLOBAL TRANSMISSION INITIATED
LYRICS: WITH FLOWERS IN MY HAIR If you feel you want to go but the roads are way too small It’s alright There are ways to find If you feel your heart wants more But the world plays tug of war It’s alright There is love to find Look at the flowers They are not judging anyone It’s like the vibe That I get from you Oh if you long for lasting peace there is space you have to please with love and care call me if you dare If a bird tells you to fly But you don’t have wings to try Oh what you need is love and peace Can we get further if you see me cry and you understand I got friends in the sky La la la We are one in heart and mind Forgive the past and may peace find love Love is all you want to know and love is all you can’t let go Show your heart and keep it good Love is all and love is you
To unlock the ancient stone and give humanity access to the forgotten power of presence,
M-JET, M-RIE, POLLY, and JAMES must achieve the impossible: unite every soul on Earth in a single, shared wish — for everlasting peace.
How? They hatch a bold, glorious plan — a worldwide live event unlike anything ever seen.
Think the spirit of Woodstock meets the reach of Live Aid…
For 24 hours, Earth becomes the stage. A non-stop transmission of music, talks, soul and science. The world’s most inspiring musicians, rebels, researchers and thinkers come together to perform and speak — not to entertain, but to awaken.
It’s not just a concert.
It’s a calling.
And it’s everywhere.
Inside NEW RECORDS, a hybrid control room and rehearsal space glows with cosmic tech.
A holographic Earth floats mid-air. M-JET, M-RIE, POLLY, and JAMES stand around it.
The air hums with urgency and awe.
M-JET:
To open the stone… to unlock the ancient code…
We need every human on Earth.
One wish. One moment. One go.
Twenty-four hours of unity.
Peace—chosen by all.
M-RIE:
We bring them together. All of them.
Every country. Every screen. Every soul.
Not by force… by frequency.
By music.
POLLY:
Like the old legends did—Woodstock, but intergalactic.
A full-day transmission. Live. Raw. Unstoppable.
JAMES:
The greats, the wild ones, the healers, the fearless artists.
A global stage… non-stop for 24 hours.
Earth becomes the concert.
(The Earth hologram pulses. Lights dim. Projections flash.)
M-JET:
Musicus will beam it across every platform.
M-RIE:
TV. Instagram. TikTok. Spotify. Netflix.
Newsfeeds. Apps. Even shopping sites.
For 24 hours, humanity has no choice… but to listen.
JAMES:
And when they feel it—really feel it—
They’ll remember.
What music used to be.
What connection means.
What it feels like to want peace.
(Projections of musicians, dancers, scientists, poets, and rebels flash across the walls. The event begins. Humanity holds its breath. The energy grows.)
M-RIE (singing):
"WITH FLOWERS IN MY HAIR"
(The band joins. More people appear, dancing in circles, singing along. The stage fills with unstoppable, rising energy. Thousands, then millions, across Earth, pulse as one. The stone begins to glow.)
22
SCENE
James has fallen for M-RIE...
After James been watching M-RIE shining her brightest,
her light spilling across the stage, across Earth.
People everywhere are singing along, dancing in circles, liberated, hopeful.
James is spellbound.
Not just by the music, but by her.
The stone pulses. The energy hums.
It has been activated.
A new world stirs.
Peace is restored on Earth.
And yet… in James’ chest, a strange feeling awakens.
A memory, a stirring he’s felt before.
“Is it over, or has it just begun?”
He blinks against the brilliance.
Is he blinded by the light?
Has he fallen for M-RIE’s enchanted beauty?
Or is it something deeper—
the power of unconditional love that Planet Musicus stands for—
that makes him long to be there?
A longing that feels suddenly possible,
now that he knows M-JET and M-RIE’s true identity,
and the strength they—and their starship—represent.
James’ gaze lingers on her, on the glowing Earth, on the infinite possibility of what comes next...
James sing:
Is it who we are
Is it what we know
Is it what we look like, is it how we flow
Is it how we feel
Is it who know
Is it what we dream of, is it where we go?
I lost my heart to you
Miss Univers
So many funky nights ahead
I gave my heart to you, Miss Univers
I praise the love you lay on me
Is it who we kiss
Is it what we wish
Is it what to choose from
Is it love we miss?
I lost my heart to you
Miss Univers
So many starry nights ahead
I gave my heart to you Miss Univers
I praise the love you lay on me
Is it what to say
Is it how to stay
Is it love we fight for
Is it now we win?
Is it how we know
Is it now we meet
Is it what we came for
Is it love we face?
I lost my heart to you
Miss Univers
So many starry nights ahead
I gave my heart to you Miss Univers
I praise the love you lay on me
And in the winter, when I need you so
You feel my heart's cold
And beam all your love
I lost my heart to you
Miss Univers
So many starry nights ahead
I gave my heart to you Miss Univers
We have love thing going on
I lost my heart to you
Miss Univers
I gave my heart to you, Miss Universe,
We have a love thing going on
23
SCENE
The leader of Planet Musicus sings to mankind.
Humans of Earth listen, and call back.
Leader of Planet Musicus:
Please let my love find you
It's the only thing I really want
Human lives are so strange
With building up and tearing down
You think you can control it
Your destiny is yours to be
Limitations all around you
How can this really be?
James:
There's bound to be another
State of mind to follow
Mankind All Together:
Release us from this prison cell
Train us to be free
Train us to believe
Please, please
M-JET:
Let it all pass through you
All the sorrow anger, hate and fear
Leader of Planet Musicus:
Let my love just find you
It's the only thing I really want
Ohh
The only thing I really want
Only thing I really want
Ohh The only thing I really want
Only thing I really want
James:
Then we will find a new place
An oasis full of peace and love
We can stay forever
And finally be free again
Leader of Planet Musicus, James and M.JET:
There's bound to be another
State of mind to follow
Mankind:
Release us from this prison cell
Train us to be free
Train us to believe
Please
James:
Train us to be free
Mankind:
Release us from this prison cell
Train us to be free
Release us from this pain
Today
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24
LYRICS: LIFETIME ROCKET I thought about it for way too long No doubt about it I'm gonna get on home It's not like me to stay out so long Waiting for someone For someone is gonna be the one Could it be that you just come walking through the door Ohh do you dream at night Ohh about flying too Step on your lifetime board your lifetime rocket Give us your pep-talk on the way to your star Do you think our lives have changed Do you think we make a difference With our frozen margaritas in the pouring rain Do you think we all should fly Do you think we all should try In a rocket straight to the sky Step on your lifetime board your lifetime rocket Give us your pep-talk on the way to your star Your favourite star The beam is now The dream is now The dove is now And your time is right now Step on your light path Board your lifetime rocket - rocket Give us your pep-talk On the way to your star Step on Step on Uhh Uhh Step on Step on To all of us The lifetime rocket 8 -7 Step on 3 -2 -1 Lifetime rocket
SCENE
James consider if he should step aboard starship 21ZNA9 and follow M-JET and M-RIE back to Planet Musicus but if he does so, he is told he can never return to Earth again....
In the end of the song James steps on.
Black out.
SCENE
The audience begins to clap. Thinking it's over, the show is finished.
But. It's not.
A big screen projects a movie. The afterplay begins.
Think, Billle August meets Stanley Kubrick.
M-JET, M-RIE, and JAMES are in the control room of Starship 21ZNA9, far from the Milky Way, skimming the edge of the jetstream.
INT. STARSHIP 21ZNA9 – CONTROL ROOM
Stars streak past the windows. The ship hums with interdimensional frequency.
M-JET steers. M-RIE gazes back toward Earth, quietly moved.
Beside them, JAMES is restless — caught between worlds. We hear his thoughts...
A red device. Pulsing.
Suddenly, James asks
JAMES:
“What does that one do?”
M-JET:
“That’s the Wish Core. You place your hand on it…
and if your belief is strong enough — it grants your deepest dream.”
M-RIE:
“But it only works if your wish is pure. And there's no going back.”
James hesitates. Breathes. Then boldly presses his palm to the core.
The light flares — crimson, blinding.
The ship shakes.
ALERT ON SCREEN:
“NEW DESTINATION CONFIRMED: EARTH.”
M-JET and M-RIE are choked. It's showing a power that even they didn't know existed.
The spaceship descends.
A sea of people below.
The stars above.
And in the centre — James steps out. Electric. Transformed. Alive.
Guitar in hand. Heart wide open.
James looks at them M-JET and M-RIE.
Playing his lifetime concert. James sings: I BELIEVE I'M FREE
An anthem of liberation.
Of choosing Earth.
25
I BELIEVE I’M FREE
I BELIEVE I BELIEVE I BELIEVE
I BELIEVE I BELIEVE I BELIEVE I'M FREE
I BELIEVE I BELIEVE I BELIEVE
I BELIEVE I BELIEVE I BELIEVE I'M FREE
I BELIEVE I'M FREE
FREE
You know, you slave
You live your life
Receiving the presence from heaven
You know, if you believe
Receive the presence from heaven
I BELIEVE I BELIEVE I BELIEVE I'M FREE
You know if you believe
You live your life
Receiving the presence from heaven
You know if you believe
You'll live your life
From heaven day and night
Na Na Na
I BELIEVE I BELIEVE I'M FREE
I BELIEVE I BELIEVE I'M FREE
Receive the presence from heaven
DAY & NIGHT
UH UH
I believe I'm free
I BELIEVE I BELIEVE I'M FREE
You believe you are free
R
I BELIEVE WE ARE FREE
I believe I'm free
FREE
FREE
FREE
Receiving the presents from heaven
I BELIEVE I BELIEVE I BELIEVE
We saw the film
We read the book
We did the course
We wear the cross
You know if you believe
You'll be receiving
The presence from heaven
LAST SONG
25
FINAL SCENE
M-JET and M-RIE sings.
Save all your tears
And let us stay to the end
And let our lives be approved
Far from wherever it is ruled
Hold me just now
And let us pray for the now
That it will never go away
This sacred love of you and I
People breaking out
And wipe the page
A stormy wind that blows away
All the rotten in this world
Finally will just observe
That there's another way
To get to you
Save all your tears
And let us stay to the end...
Underneath the surface waits
Undisputed sacrifice
A stormy wind that blows away
All the rotten in this world
Finally will just observe
That there's another way
To get to you
Save all your tears
And let us stay to the end
And let our lives be approved
Far from wherever it is ruled
Hold me just now
And let us pray for the now
That it will never go away
This sacred love of you and I
In the end. Above it all, STARSHIP 21ZNA9 rises into the sky —
like comet in reverse —
disappearing into the stars.
Text projected:
"We hope that the audience, after the show, will leave with hope in their hearts and believe in the future, just like lovers do". - From the creators of LIFETIME ROCKET
THE END